a m y   s a n t o f e r r a r o
BaskeTREE: Splendid GreyBaskeTREE: SassyBaskeTREE: Rock Candy MountainBaskeTREE: Posey PickerBaskeTREE: Poppy CockBaskeTREE: Plop BlockBaskeTREE: PenniesBaskeTREE: Miami MoonlightingBaskeTREE: Lilly FadBaskeTREE: Ivory DuskBaskeTREE: Glitter GreyBaskeTREE: Bounce HouseBaskeTREE: Brick BlouseBaskeTREE: Desert FoamBaskeTREE: Honeymoon ExpressBaskeTREE: Crest CapBaskeTREE: Dirt NapBaskeTREE: Dusty RoseBaskeTREE: Far RightBaskeTREE: Three's CompanyBaskeTREE: Turkish DelightBaskeTREE: Charlie BrownBaskeTREE: Flip FlopBaskeTREE: Guest Host
BaskeTREE
BaskeTREEs are personal landscapes. I think of them as executive desk attire and hope that they may replace mini zen gardens, finger labyrinths or those clanky ball thingies. BaskeTREEs are maintenance free houseplants but can still die. They are the longing for something to care for but not really.

BaskeTREEs are marketed and sold separately as floral arrangements. They are temporal in nature because they employ a wide variety of delicate and non-archival materials. By using plastic, ceramic, aluminum, foam, and a variety of other materials interchangeably, I re-present our disregarded and discarded junk as carefully organized and reconsidered, encouraging the celebration and questioning of a possible shelf life attached to an item for sale in a gallery. Acceptance, recognition, imitation and appropriation of these gleaned objects and materials allow a new identity to develop, a new sentiment that is a nod to the past, a charge to the future and highlights our need and affection for objects and materials. It is no coincidence that I lean towards stuff of little to no value. I beg these materials to acknowledge and engage their own artificiality and actively retain a bit of apathy in their new debut.